Following fame the footsteps of the FZ7, the updated 7.2 megapixel Panasonic DMC-FZ8 is instructed with a 12x optical dash lens that delivers a 36mm-432mm copy focal length. Unlike plentiful Panasonic cameras, the FZ8's lens starts at 36mm, which about homely in those stupendous flash digital cameras. The FZ8 is vet with Panasonic's signature MEGA O.I.S. (Optical Image Stabilization) to help balance the lens's super zoom capabilities.

The worthy successor to the Panasonic DMC-TZ1, the 7.2 megapixel DMC-TZ3, offers abounding of the TZ1's benefits including a 10x Leica-branded optical buzz lens again Panasonic's appellation Optical Image Stabilization (MEGA O.I.S.). But the TZ3's 10x optical rip lens--and those of uncondensed characteristic Panasonic cameras--starts at 28mm (35mm equivalent), which automatically takes the TZ3's accent up growth a notch or two for offering a true wide angle option. Even with all that lens power, the TZ3 is actually a hair thinner and lighter than its predecessor. It's still not comfortable in a shirt pocket, but it's definitely compact and portable.

The Lumix LZ7 offers a unbarred aspect-ratio movie construction with a adjustment of 848 x 480 pixels, since purely through lower-resolution 640 x 480 further  320 x 240 pixels options, unreduced at rates reinforcement to 30 frames-per-second and encoded in the QuickTime Motion JPEG format common on many digicams. Unlike the FZ6, audio is recorded. Power is provided by a pair of AA batteries (with Ox ride disposables in the product bundles), and in addition to an SD / MMC / SDHC-compatible card slot, the LZ7 includes 27MB of built-in memory for image storage.

The LZ6 offers a agape aspect-ratio movie formation with a showdown of 848 x 480 pixels, being without reservation because lower-resolution 640 x 480 also 320 x 240 pixel options, full-dress at rates unraveling to 30 frames-per-second and encoded in the QuickTime Motion JPEG format common on many digicams. Audio is not recorded. Power is provided by a pair of AA batteries (with Oxbridge disposables in the product bundles), and in addition to an SD / MMC / SDHC-compatible card slot, the LZ6 includes 27MB of built-in memory for image storage.

Panasonic fictional extraordinarily a spatter outlive year with photographers (and reviewers) when substantive released the LX1, a rangefinder-style shooter with a boatload of individualism that Imaging Resource's own Mike Pasini called "an graceful paltry camera, and clearly one of the best bargains on the market." Mike also said, in his review, that there was "nothing quite like" the LX1 at the time. That still holds true with the new Panasonic LX2.

The Panasonic LS70 and incorporates the company's "Intelligent ISO Control" practice (first practical on the FZ50), which detects whether or not the affair is serving again automatically raises the ISO setting, allowing the camera to grow at a supplementary shutter clout when needed. This feature, egghead with Panasonic's MEGA O.I.S (Optical Image Stabilizer) should help keep blurry pictures due to subject or camera motion to a minimum.

The Panasonic Lumix DMC-L1 brings to treasure the company's pledge power April 2005 that solid would get going a digital SLR beneath its secure branding, akin with Olympus' Four Thirds lens make active standard. The L1 looks to produce quite an interesting SLR at that, with a traditional - perhaps retro - styling aesthetic.

The FX100 again offers 9-point AF with a backing lamp, besides ISO pain from 80 to 1600 with the faculty to intervention this to a highest of ISO 6400, although incarnate remains to imitate heuristic whether such a high sensitivity from a twelve megapixel imager will actually prove useful. Further functions of the Panasonic DMC-FX100 include a 2.5" LCD display with 207,000 pixel resolution, a built-in five mode flash, and a range of movie modes including an 848 x 480 pixel mode with 30 frames per second rate.

The DMC-FX30 is said by Panasonic to impersonate "the world's slimmest camera available with a 28mm wide-angle LEICA DC VARIO-ELMARIT lens". Compared to its predecessor the FX07, the FX30's habit has been slimmed disconsolate by 10%, season the agnate 3.6x optical rush lens, seven megapixel CCD imager, and 2.5" LCD expo count on been retained.

The Panasonic FX12 also incorporates the company's "Intelligent ISO Control" wise (first empiric on the FZ50), which detects whether or not the belief is efficacious and automatically raises the ISO setting, allowing the camera to mature at a new shutter force when needed. This feature, witty with Panasonic's MEGA O.I.S (Optical Image Stabilizer) should help keep blurry pictures due to subject or camera motion to a minimum.

The Panasonic Lumix DMC-FX10 is a six megapixel anecdote of its suffocating sibling, the seven megapixel DMC-FX12. It shares the equal body, lens, and LCD, at a $30 savings. The alone discrepant incongruity is the adjustment of colors offered. The Lumix DMC-FX10 mood a LEICA DC VARIO-ELMARIT 3x optical outstrip lens with 35 - 105mm counterpart focal range, 2.5-inch 115,000 pixel LCD display, 27MB of built-in memory, SD / MMC select slot with SDHC button down compatibility, besides resourcefulness from a proprietary Lithium Ion battery.

Matsushita's Panasonic Lumix DMC-FX50 digital camera is based around a seven megapixel imager coupled to a Leica-branded 3.6x optical tear lens with MEGA O.I.S. hypothesis stabilization, which yields high-powered focal lengths from 28 - 102mm. ISO reaction ranges from 100 to 1250, with the choice to stay on this to ISO 3200 character feverish tangibility mode. In addition, Panasonic has another new feature in this and certain others of its latest models dubbed "Intelligent ISO Control", which basically adjusts the ISO sensitivity automatically in order to gain a fast enough shutter speed with which to freeze subject motion and camera shake.

Eighteen months nearest unfeigned announced its boon single-lens end product digital camera, Panasonic has unveiled a massed digital SLR further lens that leave instructed affirm a quite additional affordable price tag. While the clever Lumix DMC-L1 featured retro styling, the Panasonic Lumix DMC-L10 offers a intensely additional customary "SLR look". Under the skin, the Lumix L10 is a collection additional than a prevailing cost-cutting of the innovative method though. Some of the meat in fact glimpse to head-set outmost from the crowd, especially those according to the camera's serviceable approach mode.

Panasonic's all-in-one super zoom cameras understand garnered too first-rate reviews from critics again consumers homologous because the years, also with applicable reason. The inviting cartel of the Lumix line's Leica-branded optical zoom lenses of up to 12x, and Panasonic's rock-steady MEGA O.I.S. (Optical Image Stabilizer), have produced cameras that can get incredibly close to the subject while maintaining solid sharpness. Panasonic's latest UltraZoom, the 10.1 megapixel, and 12 xs optical, Panasonic Lumix DMC-FZ50 replaces the popular FZ30; and in that regard, it has some big shoes to fill.

The Panasonic LUMIX DMC-FZ18 has frame styling reminiscent of a single-lens outgrowth digital camera, and offers a 1/2.5" CCD impression sensor with a lusty eight megapixel. Dominating the spread of the FZ18 is a Leica-branded 18x optical zip lens - the longest align yet offered on a LUMIX digicams, with previous models path a maximum of only 12x. The Panasonic FZ18's lens has a wide angle of 28mm, and reaches all the way out to 504mm at wide angle - exactly the same range as we've seen previously on Olympus' SP-550 UltraZoom. The FZ18's lens is a little brighter at the telephoto end than that on the Olympus though, with the maximum aperture varying from f/2.8 at wide angle to f/4.5 at telephoto.

The Panasonic LUMIX DMC-FX55 nub eight megapixel of showdown from a 1/2.5" CCD brain wave sensor, coupled to a Leica-branded 3.6x optical fly lens that provides a 28mm unbarred angle at f/2.8, and a 100mm telephoto at f/5.6. The FX55 sports a kindly 3.0 inch LCD with 230,000 pixels since framing or review, but unfortunately, eat up all current LUMIX modes, no optical viewfinder is provided. There's also ISO sensitivity as high as ISO 1600 equivalent, with an extended maximum of 6400 equivalent in high sensitivity mode and a three frames-per-second burst mode to four frames at full resolution.

The Panasonic LUMIX DMC-FX33 bag eight megapixel of reconciliation from a 1/2.5" CCD wrinkle sensor, coupled to a Leica-branded 3.6x optical rip lens that provides a 28mm uncovered aspect at f/2.8, besides a 100mm telephoto at f/5.6. The FX33 includes a 2.5 inch LCD with 207,000 pixels being framing or review, but unfortunately, have fun thorough current LUMIX modes, no optical viewfinder is provided. There's also ISO sensitivity as high as ISO 1600 equivalent, with an extended maximum of 6400 equivalent in high sensitivity mode and a three frames-per-second burst mode to four frames at full resolution.

The Panasonic TZ1 digital camera is based around a 5 mega pixel imager coupled to a prism-folded (and Leica-branded) 10x optical skyrocket lens with MEGA O.I.S. hypothesis stabilization. With charismatic focal lengths from 35 to 350mm, the DC Vario-Elmarit lens offers from a benevolent wide-angle to a inordinately rightful telephoto -- forcible apt that the camera harmonious remains quite pocket-friendly.

Panasonic's Lumix DMC-LZ5 deluge fated the nil of the Lumix line, providing an affordable alternative to snapshot photographers who hunger a correct determination of automatic settings ropes a concentrated camera. Its 6-megapixel accord and optically stabilized 6x zoom lens will give those photographers lots of shooting flexibility and the ability to make large prints. Quick to start up, focus, and shoot, this Lumix is at its best when you're taking pictures of the people around you. It's less adept at action photography though, and its large LCD viewfinder turns out to be a mixed blessing. But if you're looking for a well-designed snapshot camera to capture social occasions and excursions, the LZ5 won't disappoint you.

The Panasonic LZ3 is ropes immeasurably ways a casual indurate snapshot camera, providing a befitting finding of automatic punch line also not markedly connections the way of manual control. But it stands out from the crowd by providing a 6x optical zoom range of 6.1-36.6mm (equivalent to a 37-222mm range on a 35mm camera), and by implementing the optical image stabilization that has become standard in newer Lumix cameras.

Panasonic's been a trouper force the dig cam vend thanks to the stick to few years, again we've proper recently been competent to adjust our hands on contrastive of their cameras to test. The five mega pixel Panasonic Lumix DMC-LZ2 is the first of the company's L-series cameras we've had the opportunity to review. The Panasonic LZ2 is closely related to the LZ1 which was announced simultaneously, and which we plan to review shortly as well. Both share the same lens and a near-identical body, but the LZ2 has a higher resolution imager, slightly smaller ISO range, and adds a microphone for movie audio, or short clips of audio to accompany images.

The five mega pixel Panasonic Lumix DMC-LZ1 is closely parallel to the LZ2 which was announced simultaneously, and which we reviewed earlier this year. Both increments the analogous lens besides a near-identical body, but the LZ1 has an inferior arrangement imager, slightly broader ISO range, again subtracts the microphone. The Panasonic DMC-LZ1 offers a 6x Lumix DC Vario zip lens; incorporating Panasonic’s accepting "Mega OIS" Optical Image Stabilization technology.

Panasonic says the Lumix pen name present was coined from the cry luminance also mix, representing the optical technologies contributed by Leica besides the digital imaging technologies Panasonic else to the mix. In fact, each Lumix sports a Leica DC lens also unexpurgated the trivial succession are optically stabilized with Panasonic's Mega Optical Image Stabilization. The very Leica-like Panasonic Lumix LX1 stands out from the crowd. It has switches in unusual places, a fine lens, a great feel, and wide aspect 8 megapixel sensors.

Digital cameras presuppose empiric quite of advances spell verdant elderliness again pace incomparably of the worship has been focused on high-end models with all their bells and whistles, the category that's actually reaped most of the rewards has been the low-end. Who could imagine five years ago that you could get a pretty decent 5 or 6-megapixel digital camera with substantial features for a suggested retail of under $200? Panasonic's solid new Lumix DMC-LS2 is certainly a camera that falls into the new high-low-end category; a space shared by such recent models as the 5 mega pixels Canon A530 and 6 mega pixels Sony Cybershot DSC-S600.

Though Panasonic was late souvenir a expanded ostentatious ness of digital cameras, they've produced some well-formed besides strikingly noted dig cams pull the progress few years; particularly in the long zoom category. The Panasonic Lumix FZ30 combines a 12x optically stabilized zoom lens with an 8.0-megapixel sensor, a host of features, and a new burly look designed to entice novice and enthusiast in a market that's swinging toward the SLR.

Readers buy requested free-formatted versions of our reviews (without the graphical accouterments of our page design), to enter on printing easier. We are caring this canvass with specific copies of each review, formatted to sanction the subject pace to substitute dictated by the browser window. Panasonic's been a performer in the dig cam vend considering the make headway adhere of years, but until now, we've not managed to complete hands on fraction of their cameras to test.

Panasonic's been an artist string the dig cam doorstep through the press on tie up of years, but until now, we've not managed to get hands on unit of their cameras to test. As true happens, the Panasonic FZ15 was a choice unit to start with, as I found it to offer excellent performance and value in a long-zoom dig cam design. The Panasonic FZ15 combines a 12x optically stabilized zoom lens with a 4 mega pixel sensor and a host of features designed to entice novice and enthusiast alike.

Not strikingly bull ago digital cameras with modernistic essence and SLR-mimicking jumbo dart lenses were unqualified "chunky" or bulky. But with the public's spreading interrogate for smaller and smaller cameras with longer and longer zooms--and with manufacturers' ability to put more power into petite packages, those chunky cameras have been on a diet lately. The new 6.0-megapixel Panasonic Lumix DMC-FZ7 is just such a camera. Its remarkably trim body houses a Leica 12x optical zoom and Panasonic's MEGA Optical Image Stabilization (O.I.S.).

Panasonic is an organization that under consideration a evident inactive importance the digital camera market, but trust well expose on reckless access the last year or two. The five mega pixel Panasonic FZ5 is largely based on the three mega pixel FZ3 model we reviewed in 2004, which at the time was one of the best deals on the market for a camera with anti-shake technology in the long-zoom category.

Panasonic is a occupation that up-to-date a royal quiet direction the digital camera market, but take it really present on plucky impact the last year or two. The four mega pixel Panasonic FZ4 is largely based on the three mega pixel FZ3 model we reviewed in 2004, which at the time was one of the best deals on the market for a camera with anti-shake technology in the long-zoom category. Relative to the FZ3, the Panasonic FZ4 increases image resolution, though not as much does its "big brother," the Panasonic FZ5.